“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… his future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe into the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is very happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.
A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime of this belated ’70s and early ’80s for his unabashedly governmental works. Szulkin’s films that are profoundly imaginative be looked at as existential stories, absurdist parables, or premonitions about contemporary society’s hostility and also the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic technology fiction movies. Called “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were hardly ever seen outside of their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global governmental environment.
Among the biggest retrospectives of their work up to now, Sci-Fi Visionary: Piotr Szulkin offers an array of brand brand new restorations that are digital brought in film images. The show showcases most of Szulkin’s features, including his audacious cult classic Golem , frequently considered a precursor to Blade Runner ; The War associated with the Worlds: Next Century, a reimagining regarding the H.G. Wells novel as well as an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the rest of the survivors of the nuclear apocalypse from their dire situation; Szulkin’s exploration of female sexuality in the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is sent on a mission to a police state hell planet; and Szulkin’s final film, King Ubu , based on the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland in the aftermath of the Communism Szulkin criticized throughout his career as they wait for a mythical Ark to save them. Furthermore, the retrospective will emphasize Szulkin’s film that is short, like the folklore-inspired morality play Dziewce z ciortem plus the documentary Working Women .
Presented in collaboration utilizing the Polish Cultural Institute nyc.
Arranged by Florence Almozini and Tyler Wilson.
Tickets go on sale Thursday, August 15 and generally are $15; $12 for pupils, seniors (62+), and individuals with disabilities; and ten dollars for Film at Lincoln Center people. Save utilizing the purchase of three seats or even more.
Acknowledgments: Polish Cultural Institute Nyc; Daniel Bird
FILMS & DESCRIPTIONS All tests happen during the Walter Reade Theater (165 western 65th Street) unless otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a long company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey looking for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls http://www.mail-order-bride.net/ukrainian-brides in a nonstop rush of indelibly uncanny images—from a free-floating apparition of the lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, their state, and also the notion of the family that is nuclear.
Preceded by: brand brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In the next where life on the planet is becoming therefore wonderful that only prisoners can be used for the high-risk company of area research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered on an apparently condemned objective to an uncharted earth. Upon their arrival, he discovers some sort of curiously just like a dilapidated, postapocalyptic world, where he’s welcomed because of the population as being a “hero,” an ignominious honor, he quickly learns, that is included with a many fate that is barbaric. Using the film’s properly nonsensical name from the babble of their child child, Szulkin provides a bleakly acerbic commentary regarding the absurdity of life in an authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
Brand brand brand New electronic renovation Golem Poland, 1980, 92m Polish with English subtitles in a few dystopian future, experts make an effort to produce a unique, flexible race of people. an apparently ordinary item associated with the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring as he goes about his life amidst drab bloc architecture that is soviet. Szulkin’s bold function first, styled in sepia tones and dramatic illumination, happens to be called a precursor to Blade Runner , but its name also appears back once again to a far more ancient misconception of creation and morality.
Preceded by: brand New restoration that is digital Gal in addition to Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play about a sinful woman’s encounter aided by the devil, set into the Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere predicated on Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s final movie can be a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) and then institute his own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic vision with a brand new dosage of dark, post-Soviet cynicism, King Ubu can be an incendiary summative statement from an musician whom devoted their profession to lobbing grenades during the equipment of totalitarian corruption that is political. Sunday, September 8, 6:00pm
brand New electronic restoration O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the last vestiges of civilization. They have been spurred in by their fervent belief in a fabled Ark which will deliver them from their living hell—a misconception propagated by the powers that be, and distribute, in component, because of the increasingly disillusioned Soft (Jerzy Stuhr) while he tries to push away total collapse. Involved in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays down such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
Brand New electronic renovation The War for the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles focused on both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts with the Christmastime takeover of Poland with a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless television newscaster Iron Idem (Roman Wilhelmi) because the vocals of these 1984 -esque propaganda device. However when Iron dares to stop message, he makes an enemy also greater than the aliens: the state it self. Released in the same way Poland was being plunged into martial legislation and immediately prohibited, The War associated with Worlds: Next Century is really a disturbingly prescient allegory of energy, control, and media manipulation in a post-truth world. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm